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Christopher L.C.E. Witcombe
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A BRIEF HISTORY
Bibliography
- Origine, et Progesso dell'Accademia del Dissegno de' Pittori, Scultori, e Architetti di Roma
Romano Alberti
(facsimile edition of the 1604 Pavia edition)
Arnaldo Forni Editore (Italica Gens Repertori di bio-bibliografia italiana, No. 96), 1978
- "The Color Slide Controversy"
Philip C. Beam
College Art Journal 2, 1942-43, 35-38
- Le Vite de' Pittori, sculptori ed architetti moderni
Giovanni Pietro Bellori
Rome, 1672
- "The Work of Art in the Age of Mechanical Reproduction"
Walter Benjamin
In Illuminations: Essays and Reflections (ed. H. Arendt) New York, 1968, 217-251
- "The Limitations of Color Slides"
James M. Carpenter
College Art Journal 2, 1942-43, 38-40
- Beyond the Information Revolution
Peter F. Drucker
The Atlantic Monthly October 1999, 47-57
- "Visual Facts and the Nineteenth-Century Art Lecture"
Trevor Fawcett
Art History 6, 1983, 442-460
- "The Nineteenth-Century Art Book: Content, Style and Context"
Trevor Fawcett
Art Libraries Journal 17, 1992, 12-17
- "Art Reproductions and Authenticity"
Trevor Fawcett
Art Libraries Journal 22, 1997, 20-25
- Conférences de l'Académie Royale de Peinture et de Sculpture
André Félibien
Paris, 1668
- "Visual Media in Education: An Informal History"
Carla Conrad Freeman
Visual Resources 6, 1990, 327-340
- "Slides"
Wolfgang M. Freitag and Betty Jo Irvine
Moneprint Media in Academic Libraries (ACRL Publications in Librarianship no. 34) ed. Pearce S. Grove, American Library Association, Chicago, 1975, 102-121
- Teaching Art: Academies and Schools from Vasari to Albers
Carl Goldstein
Cambridge, 1996
- "Die Umgestaltung des Universitätsvorlesungen über neuere Kunstgeschichte durch die Anwendung des Skioptikons"
Herman Grimm
Beiträge zur deutschen Culturegeschichte Berlin, 1897, 276-395
- Prints and Visual Communication
William M. Ivins
Cambridge, Mass.: Harvard University Press, 1953
- "The Print in Thrall to Its Original: A Historiographic Perspective
Caroline Karpinski
Retaining the Original; Multiple Copies, Copies, and Reproductions (Center for Advanced Study in the Visual Arts, Symposium Papers VI), National Gallery of Art, Washington DC, 1989, 101-109
- The Image Multiplied: Five Centuries of Printed Reproductions of Paintings and Drawings
Susan Lambert
London: Trefoil Publications, 1987
- "The Lantern Slide and Art History"
Howard B. Leighton
History of Photography 2, 1984, 107-118
- Studies in Seicento Art and Theory
Dennis Mahon
London, 1947
- Museum Without Walls
André Malraux (translated by Stuart Gilbert)
The Psychology of Art vol. 1, New York, 1949-50
- Art History's History
Vernon Hyde Minor
Englewood Cliffs, New York: Prentice-Hall/Abrams, 1994
- Idea, A Concept in Art Theory
Erwin Panofsky (translated by Jospeh J. S. Peake)
Columbia, S.C.: University of South Carolina Press, 1968
- Academies of Art past and present
Nikolaus Pevsner
Cambridge, 1940
- Discourses on Art
Sir Joshua Reynolds (edited by Robert R. Wark)
New Haven and London: Yale University Press, 1975
- "On Reproductions for the College Museum and Art Gallery"
David M. Robinson
Art Bulletin 1, 1917, 15-21
- The Sense of Form in Art
Heinrich Wölfflin
New York, 1958
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Bibliography