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January 18
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Introduction to the Seminar
Requirements
Topic Assignments
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 Introductory Discussion:
 What is ‘Modern’?
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February 1
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Modernism, Art and Society
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ACADEMIC ART: A, B, C, D
READING:
Christopher L. C. E. Witcombe, Online Modernism
Patricia Maindari, “The Political Origins of Modernism”, Art Journal 45 (1985): 11-17: Online JSTOR
Fred Ross, Online Good Art/Bad Art: Pulling Back the Curtain
Robert Rosenblum, H.W. Janson, 19th Century Art (Englewood Cliffs, N.J.: Prentice-Hall, 1984): Cochran Library N 6425 .N4 R65 1984b
Website Workshop: 2:30
Smith Computer Lab (Library, Room 201)
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February 8
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NO SEMINAR
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February 15
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Realism in Context
1850-1870
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REPORT A1: Molly Marks
READING:
Gerald Needham, 19th-Century Realist Art (New York: Harper & Row, 1988): Randolph College 760.0903 N37n
Linda Nochlin, Gustave Courbet: A Study of Style and Society (New York: Garland Publishers, 1976): Cochran ND553 .C9 N62 1976
Linda Nochlin, Realism (Harmondsworth: Penguin, 1971, 1985): Cochran N6465.R4 N6
Realism, with a Bibliography (Oxford Art Online)
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February 22
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Impressionism in Context
1870-1890
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REPORT A2: Charlotte Greenwood
READING:
Impressionism and Post-Impressionism, 1874-1904; Sources and Documents (Englewood Cliffs: Prentice-Hall, 1966): Cochran ND1265 .N58
Impressionism, with a Bibliography (Oxford Art Online)
John Rewald, History of Impressionism (New York, 1973)
J. Rewald, Studies in Impressionism, ed. I. Gordon and F. Weitzenhofer (New York, 1986)
B. Denvir, ed. , The Impressionists at First Hand (London, 1987)
R. Herbert, Impressionism: Art, Leisure and Parisian Society (London, 1988)
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February 29
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Post-Impressionism in Context
1880-1900
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REPORT A3: Molly Petchel
REPORT A4: Martha Kemp
READING:
Impressionism and Post-Impressionism, 1874-1904; Sources and Documents (Englewood Cliffs: Prentice-Hall, 1966): Cochran ND1265 .N58
Post-Impressionism, with a Bibliography (Oxford Art Online)
J. Rewald, Post-Impressionism: From Van Gogh to Gauguin (New York, 1956, rev. 3/1978)
F. Elgar, The Post-Impressionists (Oxford, 1977)
B. Thomson, The Post-Impressionists (Oxford and New York, 1983, rev. 2/1990)
J. Rewald, Studies in Post-Impressionism (London, 1986)
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March 7
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Exressionism in Context
1900-1910
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REPORT A5: Happy Lathrop
READING:
Expressionism, with a Bibliography (Oxford Art Online)
B. Herbert, German Expressionism: Die Brücke and Der Blaue Reiter (London, 1983)
D. E. Gordon: Expressionism: Art and Idea (New Haven and London, 1987)
J. Lloyd: German Expressionism: Primitivism and Modernity (New Haven and London, 1991)
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SPRING BREAK
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March 21
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Cubism & Dada in Context
1910-1920
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REPORT A6: Victoria Bradley
READING: CUBISM:
Cubism, with a Bibliography (Oxford Art Online)
John Golding, Cubism: A History and an Analysis, 1907-1914 (Boston: Boston Book & Art Shop, 1968): Randolph College ND196.C8 G6 1968b
Christopher Green, Cubism and and its Enemies: Modern Movements and Reaction in French Art, 1916-1928 (New Haven: Yale University Press, 1987): Cochran Library N 6848.5 .C82 G7 1987
Alfred H. Barr, Jr, Cubism and Abstract Art (New York: Published for the Museum of Modern Art by Arno Press, 1966 [c1936]): Cochran Library N 6494 .C8
David Cottington, Cubism and its Histories (New York: Palgrave, 2004): Randolph College 709.04032 C84c 2004
REPORT B1: Molly Marks
READING: DADA:
Dada, with a Bibliography (Oxford Art Online)
International Dada Archive
Dada Manifesto (1916, Hugo Ball)
Dada Manifesto (1918, Tristan Tzara)
DADA1 (magazine, 1917)
Lucy Lippard, Dadas on Art (Englewood Cliffs, N.J. : Prentice-Hall, 1971): Cochran Library NX600.D3 L5
Willy Verkauf (ed), Dada: Monograph of a Movement (London: Alec Tiranti, 1957): Cochran Library ND 1265 .V43 1957b
Robert Motherwell (ed), The Dada Painters and Poets: An Anthology (Cambridge, Mass.: Belknap Press of Harvard University Press, 1989): Randolph College 709.04 D121m
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April 4
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Abstract Expressionism in Context
1940-1960
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REPORT B3: Charlotte Greenwood
READING:
Abstract Expressionism, with a Bibliography (Oxford Art Online)
Irving Sandler, The Triumph of American Painting: A History of Abstract Expressionism (New York, 1970): Cochran Library ND212.5 .A25 S2 1976
Charles Harrison: ‘Abstract Expressionism’, Concepts of Modern Art (London, 1974/1988, ed. N. Stangos), pp. 169–211 : Cochran Library N6490 .R53458 1974
Annette Cox, Art-as-politics: The Abstract Expressionist Avant-garde and Society (Ann Arbor, 1982): Cochran Library ND212.5.A25 C69 1982
Stephen Polcari, Abstract Expressionism and the Modern Experience (Cambridge, 1991): Randolph College 709.04052 P76a 1991
Robert Carleton Hobbs and Gail Levin, Abstract Expressionism, the Formative Years (New York, 1978): Cochran Library ND212.1.A25 H63
Michael Auping, ed., Abstract Expressionism: The Critical Developments (New York, 1987): Cochran Library ND212.5.A25 A22 1987
David Shapiro and Cecile Shapiro, eds., Abstract Expressionism: A Critical Record (Cambridge, 1989): Randolph College 709.04052 A161s 1990
Ann Eden Gibson, Abstract Expressionism: Other Politics (London, 1990): Randolph College 759.13 G44a
Clifford Ross, Abstract Expressionism: Creators and Critics (New York, 1990): Randolph College 709.04052 A162r 1990
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April 11
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Pop Art in Context
1960-1970
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REPORT B4: Victoria Bradley
READING:
Pop Art, with a Bibliography (Oxford Art Online)
Michael Compton, Pop Art (Feltham, New York: Hamlyn, 1970) : Cochran Library N6494.P6 C6
Lucy Lippard, Pop Art (New York: Praeger, 1966) : Cochran Library N6490.L53
John Russell and Suzi Gablik, Pop Art Redefined (New York: Praeger, 1969) : Cochran Library N6494.P6 R82
Pop Art: Contemporary Perspectives (Princeton, NJ: Yale University Press, 2007) : Cochran Library N6494.P6 P673 2007
Blam! The Explosion of Pop, Minimalism, and Performance, 1958-1964 (New York: Whitney Museum of American Art, 1984) : Randolph College 709.73 H35b
Pop Art: An International Perspective, edited by Marco Livngstone (New York: Rizzoli, 1992) : Randolph College 709.04 P82L
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April 18
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Postmodern Art in Context
1970-1990
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REPORT B5: Martha Kemp
READING:
Post-modernism, with a Bibliography (Oxford Art Online)
Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington: Indiana University Press, 1986) : Cochran Library N6494.P6 R82
Hal Foster (ed), The Anti-Aesthetic: Essays on Postmodern Culture (Port Townsend, Washington: Bay Press, 1983) : Cochran Library BH 301 .M54 A57 1983
Joanthan Arac (ed), After Foucault: Humanistic Knowledge, Postmodern Challenges (New Brunswick: Rutgers University Press, 1988) : Cochran Library B2430.F724 A64 1988
Charles Jencks, Post-Modernism: The New Classicism in Art and Architecture (New York: Rizzoli, 1987) : Randolph College 709.04 J51p
Hal Foster (ed), Art since 1900: Modernism, Antimodernism, Postmodernism (London: Thames & Hudson, 2011) : Randolph College Newly Acquired
Brian Wallis (ed), Art after Modernism: Rethinking Representation (New York: New Museum of Contemporary Art, 1984) : Randolph College 709.04 A784w 1984
Hans Belting, Art History after Modernism (Chicago: University of Chicago Press, 2003) : Randolph College 709.04 B45e 2003
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May 4
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1:30 p.m. Final Site Deadline
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ART HISTORY SENIOR SEMINAR 2012
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